Exhibitions, Installations, Videos and Works in Public Space (selection)
Oil on Stone 2, “Here and now”, The Israel Museum, Israel
Oil on Stone 4, permanent installation, Tel-Hai, Israel
Monument Against Fascism, permanent installation (with Jochen Gerz), Hamburg-Harburg
COPAN Slideprojections, Galerie Giovanna Minelli, Paris
Erase The Past, book, published by DAAD, Berlin
Monument Against Fascism, “The Art of Memory”, The Jewish Museum, New York, USA
The Dispersal of the Seeds / the Collection of the Ashes, permanent installation (with J.G.), UNO – Parc, Genova, Switzerland
Unreparable, Musée de La-Roche-sur-Yon, La-Roche-sur-Yon, France; The 20th Century, “Ich Phoenix” (with J.G.), Gasometer Oberhausen, Oberhausen; Monument and Modernity, Elektra Artspace, Paris; Reasons for Smiles, “Le Cirque 96″ (with J.G.), Paris; Reasons for Smiles (with J.G.), Maison Européenne de la Photographie, Paris
Reasons for Smiles / Five Installations in the Public Space, “28e Rencontres Internationales de la Photographie d’Arles” (with J.G.), Chapelle du Méjan , Arles, France; The Dispersal of the Seeds / the Collection of the Ashes n°2, permanent installation (with J.G.), Marl; Reasons for Smiles, Maison Européenne de la Photographie, Paris (with J.G.); Monument Against Fascism / Slideprojection, “Auguste Rodin – Die Bürger von Calais, Werk und Wirkung” (with J.G.), Skulpturenmuseum Glaskasten, Marl; Reasons for Smiles, Catriona Jeffries Gallery, Vancouver, Canada (with J.G.); A gaze for Algeria “Through your eyes only”, Internetprojekt “Chaos dans l’action”
The Berlin Inquiry, Berliner Ensemble / Hebbel-Theater / Volksbühne, Berlin (with J.G.); Reasons for Smiles, “Le Fragment, la durée, le montage”, La Galerie, Art School of Quimper, France; Reasons for Smiles, Maison Européenne de la Photographie, Paris (with J.G.); Ritrovare Volterra, Volterra, Italy; Unrepairable 85, Galerie Käthe Kollwitz, Berlin
Eve passes the apple on to Eve, “The invention of women”, Maison du Citoyen, Fontenay-sous-Bois, France; Perpetuum mobile, “Projekte zum Lichtparcours Braunschweig 2000″, Kunstverein Braunschweig, Braunschweig; Increments on Stone / Books absorbed into the Sky, “Le Lien – La Nature instrumentalisée”, Musée de Louviers, Louviers, France; The Portraits of Stories – Belsunce, La Compagnie, Marseille, France; The Portraits of Stories – Aubervilliers, Les Laboratoires d’Aubervilliers, Aubervilliers, France; Perpetuum mobile, “Domesticated”, Refusalon, San Francisco, USA
”Unseparable Angels, “Station Weimar – Werkstatt der Moderne – Sequenz II.”, Limona-Pavillon, Weimar; Unrepairable 87, Rennes, France; A Gaze for Algeria, “The invention of women”, Auvers-sur-Oise, France; Perpetuum mobile, “Lichtparcours 2000″, Adenauerbrücke, Braunschweig; The Reason of Forgetting, “Lost and profit”, CNEAI, Chatou, France; The Portraits of Stories – Skoghall, “Public Safety”, Skoghall, Sweden; The Jews Walkway (Judengang), Prenzlauer Berg Museum, Berlin
Inseparable Angels, Kunststiftung Poll, Berlin; The Era of Witness, étape II, Theaterproduktion mit “Compagnie de l’Octogone”, Paris, France; The Judgement, proposal for a monument for Murellenberg, Berlin; Reasons for Smiles, “Facing History”, Presentation House Gallery, Vancouver, Canada
Places, Musée Henri Martin, Cahors, France; The Thread, Castlemilk, Glasgow, Schottland; Two Installations – White-Out / The Imaginary House of Walter Benjamin Historiska museet, Stockholm, Sweden
Perpetum Mobile, Videoscreening à Backfabrik, Galerie Blickendorff, Berlin; ifa-Galerie, Berlin; Aletheia – The Real of Concealement, Goteborgs Konstmuseum, Göteborg, Sweden; The Thread, Castlemilk, Glasgow, Scotland, (work in progress); Daedal(us), 20 projections in North Inner city, Dublin, Ireland
Diptych for Arcueil, Arcueil, France, Installation (work in progress); First Generation, Multicultural Center Fittja, Sweden; Remembering Imagination, Gävle Konstcentrum, Gâvle, Sweden; The human surface of objects, Buchenwald Memorial, Buchenwald, Germany; Esther Shalev-Gerz, Portraits of Stories-Skoghall, Daedalus, Botkyrka Konsthall, Sweden
30 Years Art Foundation Poll. Insight into the Collection I-IV / Part II, Kunststiftung Poll, Berlin